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""Ya finished Packard"

---Sly via Sage (April 2005, regarding Sly's receival of a "StarWars Mockumentary" DVD which also includes the 'Sage Stallone: Portrait of a Madman mockumentary"

----------Most of the following responses came from 2002-2003-----------------


Dear Mr. Packard, Thanks for the copy of REFLECTIONS OF EVIL: it was good of you to get it to me. I've put it on my stack of DVD's and look forward to it. I wish you good luck with your film as with all else.

Cordially, Charlton Heston (letter recieved by mail, late 2002)

"From my cold dead hands!!!"

"Watched the DVD, thanks for sending. There are moments of the movie that were
really gripping. The plainclothes cop scene was amazing and the trip through
down town with the Carpenter's song playing was the worst acid trip I have
ever seen on film. The dog scene was nothing short of genius. As far as all
your references to Speilberg, fuck it, you're way more interesting and
intense than that fuckin guy."
Henry Rollins

"Yo--
Watched the movie. Wow! What a trip!! I personally loved it. Laughed my ass off a couple of times. But I don't know if it's supposed to be funny? Why haven't I seen this on the Sundance Channel?? Looking forward to the next film. Maybe my music could be of service?"
Sammy Hagar

"Saw the movie. Aahh, my main complaint is that it's hard to watch. The
synch-sound-- gets to you after awhile. But the images, yeah, pretty cool- like an underground
movie....actually pretty damn awesome, the more I think about it the more it blows me away. Obviously alo
t of work went into it....is this some sort of
launching pad for you?"
Robby Krieger (The Doors)--watched it with toothache

I"It was shocking, intriguing, scary and subversive bad taste from beginning to end. But moments of humour and pathos shine through to keep you glued. Your "Mom" and the elderly couple in the cozy bubble burb residence were just great. Seriously spot on! Well, the only hope is the long slow, sneak-up-on-you, cult underground status which can only come via genuine support from a few hardies, whether on the street, or in the celeb-support faction. Guess there's no option now to re-edit or to sharpen and tighten up the pace and drama. But, just a thought, Damon: dont go round bitching and complaining. Go around cajoling and smoothing. Go around the fringes of the industry with a respectful and calculating tone, ready to re-shoot, re-cut, re-mount the campaign for a meaningful festival appearance. The European Festivals might offer a better chance to get noticed.

Ian Anderson (Jethro Tull)

 

"Well this is Buddy Hackett I got your movie maybe you can send me a
note with a little more information I don't know who Chad Nelson is..."
Buddy Hackett (1924-2003)

"Well I am a member of the Academy.."
Roger Moore

"Oh their gonna think it's just crap and throw it away, your best bet is
film festivals or something.."
John Landis
(referring to the process of sending thousands around to celebrities)

"God, who the hell are you people..?" ((clunk))
Anonymous Phone Message

"You want me to play a CREW MEMBER?? I Directed 15 of those damn things!"
Jeff Corey (1914-2002)
(referring to a letter he received at the beginning of production, asking if he was interested in playing a stubborn old crew guy being directed by a young Steven Spielberg circa 1971. At this time the film was titled "Night Gallery Revisited". SAG regulations would have made this impossible anyway.

"...that poor Tony Curtis, Jesus Christ Packard must have paid him 100 bucks, it's really sad,..."
Sylvester Stallone
(rambling to his son Sage over the phone, who kept trying to tell him "No dad, the voice was dubbed.." But Stallone just kept rambling on in his deep throaty voice).

"...I mean..this guy is really sick, no I mean he is really sick, I've got kids in the house and he's sending ME stuff at my home address??!...

I wanted to put a fuckin' ball-peen hammer in his head after a while..."
Ok, believe it or not this is a REAL quote. 100% genuine! It come's by way of Sage Stallone (founder of Grindhouse Releasing)

Sage is now on a mission to drive his dad crazy with Reflections of Evil DVD's. Every time he visits him, he sneaks another DVD into his movie rack, and each time his dad throws it away.

"Ohhh..well I like romantic movies I don't know if I'd to watch this, but I can give this to Sylvester, I was thinking of bringing it over to him. How is Sage anyway, is he losing his mind?"

Chad: (responding) "Well no, he's just wandering around his apartment eating Reeses and drinking Pelligrino water."

Jacqueline: "Ohh, is he still fat? Y'know his father (Sylvester) really hates fat people, especially his own son, he has no tolerance for it.."
Jackie Stallone (Sly's Mother, Sage's Grandmother, Celebrity Astrologer, this message came in long after the original Sylvester Stallone response, the entire Stallone family now have their own multiple copies and will innocently bring them over to Sly's house to drive him crazy)

"Well thank you for thinking of me, I just bought a new TV today. My old one blew up for some reason. The thing actually exploded with my whole family here, it was really strange. But I'll take a look at your DVD thanks."
Curtis Armstrong (Revenge of the Nerds (Booger), Risky Business)

I am e-mailing you regarding the third copy of Reflections of Evil we've received. You have sent two to Jim Belushi's residence and one to his business address. We've thrown two out and would like to return the other one to you. Jim is uncomfortable receiving unsolicited material and is feeling stalked since you've now sent him three. Please stop sending your DVD. I will return this to you if you give me a return address.
Dena (Jim's asst.)
(Read the whole story on the bottom of our There's More page)
We apologized to Mr. Belushi and company and this is where that got us.
Dave,
I saw it and I didn't like it. I considered it harassment that you sent it to my home address multiple times - these things are usually sent to agents. It creeped me out to receive this type of mail at home - I try to keep my home address as private as possible. I didn't like the movie and I didn't like your wise-ass letter. I'm a supporter of independent and cult films being in many of them myself. This marketing approach is going to hurt you in this town, not help you. I'm pissed off. Knock it off and please do not respond to this e-mail.

Jim Belushi

I'm calling on behalf of Mr. William Asher who has received 3 copies of your RIDICULOUS REPULSIVE movie. Please don't send anymore DVD's, we do not want them! Thank you very much for leaving us alone!!"
William Asher (Director of Butcher, Baker, Nightmare Maker)

"Yea Chad, I got this DVD...uhh, what is it?"

Chad: "Well it's a screener, an independent film, a free gift.."

"Oh..well who sent it to me...?"
Wilford Brimley (firm tone)

"I just recieved Reflections of Evil and I don't know who sent this to me or WHY but I am very upset! I don't know how you got a hold of my private home address but I would appreciate a call back at 310/***-***** with some information. Who-ever you are please take me OFF of your mailing list!"
Frances Fisher
("Strawberry Annie" in Unforgiven,-etc, Clint Eastwood's ex-wife.)


"Hello: I just had the displeasure of receiving your film in the mail - if you can actually call it a film - please don't waste my time again with this filth. I'm wondering what Tony Curtis would say, I'm sure he'll give you a ring after he watches it. Filmmaking isn't about what you made - get out now and stop ruining this art form. No need to reply you requested comments"
Anonymous Celebrity

"Hi I need to be taken off your mailing list, you've sent me several of these DVD's and I don't even have a DVD player so it's just wasted. Please take me off your list immediately, thank you."
Alexandra Paul (Christine, American Flyers, Baywatch, etc, sent her VHS tape just the same)

"Well this is very frustrating I'm not experiencing joy and happiness I'm experiencing aggravation---I can't get your DVD to play! I want to see it! Can somebody please call me at 310/***-**** and help me with this? Please I'm going crazy here I've been fiddling around with this thing for hours and I can't get the DVD to play!!!"
Nita Talbot (Day of the Locust, Night Shift, Sweet Creek County War, Columbo, Rockford Files, etc)

"Thank you for the $700 hand pressed DVD. LOVE"
Phyllis Diller

"How the HELL did you get this private address!? This is a breach of security! We CANNOT have this address in the public domain!!"
Ellen Degeneres' Assistant

"I understand your trying to get attention but please do not use this address again ok?"
Dino De Laurentiis' Private Assistant
(Heavy Italian accent--potential mafia)

"With his disturbing, funny and sometimes poignent film, Reflections of Evil, Damon Packard proves that if you have enough skill, imagination and chutzpah, you can still get off your ass and make a movie. Reflections demonstrates many of the shock-cinema qualities I dearly loved back in the good old days of the Independents--totally original, daring, and in-your-face. His follow up Star Wars Mockumentary just shows that Packard is not a one horse wonder. SWM is clever, with superior editing, much humor, and some insight into the gaggle and haggle of the major studio players."
Gary Kent (veteran stunt-man, director, actor, SFX cameraman, etc Richard Rush' 2nd unit man on films like "Psych-Out", "The Stunt Man" and "Freebie and the Bean")

Semi celebrities:

"I vastly enjoyed it---didn't want it to END!!"

Drummer for Blue Man Group-Las Vegas

"I passed out at a friends house and woke up with your movie playing, needless to say it has changed my life.."

Will De Los Santos (writer of "Spun")

"Awesome, what can I say? Packard--man of a thousand voices. I can't believe what you did man, I can't BELIIEEEVE what you did!!! This movie is too much, and how you haven't rec'vd more response just doesn't make much fu#@ing sense to me..!"

Jim Van Bepper (Director)

"Packard, your movie has reached cult status.."

David Szulkin

"You haven't heard of Damon Packard..are you kidding me?"

Sage Stallone (on phone with Quentin Tarantino)

OLIVER STONE's OFFICE RESPONDS read the story here

 

A few other celebs who I know (via other sources) have rc'vd their DVD's but chosen not to respond or comment directly. Nobody likes to respond, too much fear, apathy, disregard, disdain.

Tom Savini (passed them out to his make-up students in PA) I get emails from Tom's students all the time.

Bob Clark (director of Black Christmas, Murder by Decree etc, passed DVD on to his son)

Rospo Pallenberg (former writer/partner with John Boorman on Excalibur, Zardoz, Exorcist II: The Heretic etc, passed DVD on to his son)

Vincent aka "Vinnie" Gallo (via Sage) has two copies.

Richard Donner (gave one to him in person at a screening, never heard anything back.)

Francis Coppola (simply has not yet responded, though years ago he did think "Apple" was "wierd")

Robert Downey Sr (director of Greasers Palace, Putney Swope, etc) via friend of his

Paul Verhoeven (inquired via agent why so many dvd's have shown up at home & office, was advised to use them as doorstops and cup-holders)

Bryan (X-Men) Singer (apparently someone was talking about ROE at the wrap party of X-Men 2 and Bryan Singer said "oh yea I have that DVD"

Alan Parker (only via agent)

Gus Van Sant (via email thru friend of his)

Victor Salva (Jeepers Creepers 1 & 2) ordered a copy thru Bijouflix

Stuart Gordon (via a friend who's working with him)

Talia Shire and Jason Schwartzmann (info passed on via Johnny Ramone--friend of Sage's, who has passed away)

Alec Baldwin, Kim Bassinger (baffled agent response, left message inviting Alec Baldwin to a screening, agent called back saying "Mr Baldwin cannot make your screening!")

John Travolta (generic agent response)

John Turturro (generic agent response)

Tobe Hooper (copy given to him at the Aero Theater by a cute girl who hugged him first)--note this is by far the best way to get a DVD in the hands of a celebrity.

Curtis Harrington (passed on to him in person at Aero Theater)

Fonja Spielberg (Spielberg's step-mother, does not get along with him, copy passed on at the Aero by Francesco Coco)

Chris Columbus (Harry Potter 1 & 2) Copy passed on at the Aero by Francesco Coco.

Peter Falk (passed on at Aero by Francesco Coco)

Sandra Bullock (passed on at the Aero by Coco)

John Daly (legendary producer, passed on at the Aero)

Ken Russell (passed on via Grizedale Arts, UK)

Paul Hagget er Haggis whatever his name is (Director of Crash) passed on at Aero

Kate Beckinsale (passed on at Aero via Fancesco)

Peter Bogdanovich (passed on at Aero)

PeterppNorman Jewison (passed on at Aero)

Eva Marie Saint (passed on at Aero) ahh sweet Eva, most beautiful girl in the world

and at least 9000 others that remain silent.

Come on celebrities what the heck are you so afraid of??! Respond!!!

 

CLICK HERE TO SEE REVIEWS BY NOT SO FAMOUS PEOPLE WHO REALLY HATED THE MOVIE

 

 

 

 

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Fear will always find a way
to bring darkness, given the chance,
for that is the atmosphere of it's survival.

 

FEATURED REVIEW

ExtremeCinema Magazine (2002)

Reflections Of Evil. Well it is time for the main feature and boy is this one a tough act to follow. Reflections Of Evil is the brainchild of Damon Packard who not only directed and took the lead role but also marketed this compelling and unique movie in a very special way. It turned up in our PO Box with a rather strange letter that almost had me breaking into a sweat reading it. Apparently the movie was going to bring me JOY and LOVE and HAPPINESS. Oh well I thought it had to happen sooner or later. The Christian fanatics have infiltrated live4metal with some religious propaganda. Apparently this was a disc that had been hand pressed on a spheroid magnesium replicator at a cost of over $700. I decided it might be best to play it on someone elseÕs machine, as I really didnÕt know if this was going to cause some sort of system meltdown. I was also informed that it was a gift and to pass it on if I didnÕt want it.

Looking at the movie website I discovered Mr Packard had distributed 22,500 of these discs (probably loads more by now) in a manner of interesting ways. He walked the streets and gave away about 8500 of them to all and sundry and surprisingly it was an almost impossible task. A lesson was no doubt learnt, trying to give something away for free is met with suspicion and distrust but hell thatÕs the way the world is going and no real surprise. There was also a mailing campaign that certainly ruffled a few feathers. How he got the addresses of such people as Sylvester Stallone, Charlton Heston and John Landis is beyond me. The funny thing was that if he didnÕt get a response (nearly all the time) he simply sent out more copies. The media response was hilarious especially from a very disgruntled Jim Belushi who stated, ŌThis marketing approach is going to hurt you in this town, not help you. I'm pissed off. Knock it off and please do not respond to this e-mailĶ. It should come as no surprise to you that he did respond to the e-mail. Another person who had been handed a copy decided that Ō he was really scared some terribly disturbed individual like myself was walking around leaving these DVD's around the area and that I should either seek shock treatment or throw myself in front of a bus.Ķ However, positive response came from the likes of Henry Rollins and on chatting by e-mail to Damon Packard he mentioned that he had overlooked punk and metal fraternities in his marketing campaign. Discerning music fans on the whole are equally eclectic in their movie tastes and my advice is to hit the concert queues at death and black metal gigs and give out free copies there. I certainly have my task cut out in describing the actual movie itself.

This is a film that defies convention. There is a narrative that can be followed but at times you will be left scratching your head and wondering where it has hidden itself. Things are far from linear in the filmic approach. If anything Damon seems to have set out to vandalise the film industry and everything it stands for. Reflections is what I can only describe as high art guerrilla filmmaking. Yet it is a movie that has easy to see reference points. On first view I found myself describing the influences as portraying the grim seething underbelly of America found in Taxi Driver, Deadbeat At Dawn and Combat Shock. It emphasised the DIY ethic intrinsic of Troma films. The jaded drug fuelled contempt of films such as Drugstore Cowboy and Requiem For A Dream. The disenfranchised detachment of Bad Boy Bubby and all that is wrong in society to spawn things like Bum Fights. By the end I realised I had grabbed a bottle of Jack and downed a fair amount and expected to melt in my chair as though I had been knocking back Viper hooch from Street Trash.

Probably the best way to prepare yourself for this 2 hour 17 minute extravaganza is to imagine you have just consumed several acid tabs and are sitting back waiting for the ride. We start with Tony Curtis giving an appreciation of Damon but it is quickly evident by the overdubs that he is talking about a completely different director and movie. The words well and truly shafted spring to mind and I wouldnÕt be at all surprised to hear about a lawsuit in the future. We are dragged into the living room of a typical redneck elderly couple who constantly sit in front of the TV. We view with them and are bombarded with 70s trash TV and adverts in a cut up manner that is instantly disorientating. We wander around a ghost town with an alluring woman with the camera bathed in different coloured filters adding a psychedelic intensity. Back in the living room loud noises are heard outside. The man gets up to investigate and we see a large gun hanging over a massive swastika on the wall. Bobby, played by Damon, has arrived and is ranting at the world. Ho gouges down on a box of liqueur chocolates and drunkenly collapses, unleashing probably the most puke ever seen in a film. We are aware by now that all the sound on the film is hideously over exaggerated and distorted. My letter had stated this is best viewed with a Kilspich 2000 watt per channel THX sound system (whatever that is). We go back some months and find Bobby walking the streets and trying to sell watches to people for $5. I donÕt think we actually see him make a sale during the whole film. He even has people saying they are going to kill him when he tries to give them away. He basically spazzes out whilst all around him society is melting with a seething misanthropic hatred. Everywhere people are screaming at each other. The favourite words oft repeated are Ōwhat the fuck you looking atĶ and ŌIÕll fucking kill youĶ. Faces mutate and voices are distorted in a helium balloon style manner. By now the various filmic techniques are flying out. Cut ups, filters, tricks and distortions bombard you both visually and aurally. The only film I can think of that comes anywhere near this frantic velocity is Oliver StoneÕs Natural Born Killers. The streets are mean and Bobby spends most the time stuffing himself with sickening looking cakes and running for buses that he never manages to catch. Taking things out on a bus stop he falls over and his head explodes on the pavement in a welter of gore. This is surely a nod toward Peter JacksonÕs portrayal of Derek in Bad Taste.

We are led from one confrontation to another and as a viewer you donÕt know whether to be horrified or piss yourself laughing at the intensity of the situations. The city rages around him and in one excellent scene we see Bobby going mad with it, a Disturbed poster behind him sums it all up. Finally he gets an elusive bus and arrives home. The place is just as mad as you would expect. The contents of the fridge are frightening and I doubt even Jeffery Dahmer would touch them if he were on the brink of starvation. He seeks comfort in a massive pit in the middle of the room and watches TV whilst eating crazy American cereals and sucking whipped cream out of a can. His lunatic Gran arrives on the scene (guess what, she wants to kill him) and gets quite mad that he has eaten all the cookies she has tried to hide from him. Next morning we find the two of them in a diner and she constantly nags him about his eating. Watching him distract her and eat a sandwich that she is trying to stop him having is hysterical. Back on the street like a deranged bagman Bobby seems to be wearing different shirts and more layers of clothes in every scene. We also realise that in the nice suburban neighbourhood he has wandered into that he is none to popular with dogs who go for him with a relish. Outside the earlier rednecks house, he crawls into a car and sleeps a hallucinatory dream that takes us back to his childhood. A young Bobby is on a tour of Universal Studios with his Gran and the young girl Julie from the start of the film who turns out to be his sister. Bobby clearly is addicted to sugar and constantly stuffs candy down his gob to the horror of his Gran. We now follow Julie through the set of The Omega Man and into a shoot being directed by a young Steven Spielberg. The totally inept director ends up killing his crew and Julie wanders off into a drug fuelled 70s nirvana.

The peace and love generation scene sees her caught up in a happy trouble free world where young brightly clad housewives are tuned in and turned on. The camera does a remarkable job of giving us the effects of the LSD trip and literally melts your face with some stunning metamorphic trickery. Back at the car with Bobby and Gran in the midst of an anti Vietnam demonstration the spirit of the age is well and truly replicated. He dreams of Julie wandering through a nightmare landscape, which truly suggests the drugs, have gone wrong. The dream intensifies with visions of video games, ET and newspaper headlines about September 11th. Awake and back on the street helicopters patrol the skies and the world is even madder. A plain-clothes cop who berates him at length to either give him a watch or " spend the next 10 years in prison sucking niggerÕs cock" accosts him. The scary thing is apparently the LAPD cop was played by a real policeman. With the Carpenters for soothing effect we wander the streets where people throw up blood and act like crazies. Bobby is attacked by every man, woman and their dog, and shot at by deranged marines.

This seems like a never ending depraved riot of a journey. The soundtrack is juddering and cranked up to the max and assaults you at every level (IÕm sure I can hear Future Sounds Of LondonÕs Dead Cities amongst all this). We visit the cinema with Bobby and get a collage of trailers for Lord Of The Rings and Star Wars shown far from the way the directors intended them. Inevitably Bobby runs into the police and proves far too chubby an adversity for them. Stealing their car he escapes to the only place we could possibly conclude at, Universal Studios Theme Park. It was a miracle that he was able to film the scenes there and was almost arrested by security. With a dedication that had him stating nothing but death would have prevented him getting the footage we get a wacky roller coaster fun packed ending. Spielberg seems the main focus for events and we go with Bobby on an ET ride that is tripped out like you wouldnÕt believe. Leaving the ride he sees the park is deserted. Julie is also wandering around and carnage is ensuing. The rides are full of screaming people and bodies are flying off them and reigning down in showers of blood and brains. He embarks on the hilarious Schindlers List The Last Ride and finally meets up with Julie. As far as the ending is concerned all loose ends are neatly tied up.

I have to say rather smugly that I was well aware of the way things were going to end well before we got there but others I have watched this with were still left scratching their heads. This is one hell of a compelling film and despite the long running time it never loses its edge. In fact I was pissed off when it finally ended, as I was completely engrossed. It drags you screaming from one deranged scene to the next and is one of the most remarkable films I have seen in a long time. Damon Packard definitely deserves recognition and Reflections Of Evil will surely achieve some sort of cult status. The disc also includes a trailer for an acid edged medieval Lord Of The Rings fantasy romp. I am not sure whether this film was actually ever made or not but his next proposed project looks great. Apple is described as a sensual lesbian sword and sorcery fantasy inspired by Elfquest. He also has a list of people drawn up who he feels would be ideal for the main parts. The thing about this that got me particularly excited (or hot and bothered perhaps would be a better description) is that he has set his sights on Fairuza Balk (The Craft) to play the lascivious Elf Apple. Now frankly the thought gives me a hard on and with that in mind I will leave you with the link you obviously want (as you have come so far).

The truth you seek cannot be sought.
In the act of seeking you deny it
because You are already what you seek.